Home

Research Publications

Submitted by richard on Thu, 2006-07-06 11:19.



Selected publications, Richard Wright

    2007 "Data Visualisation". To be published in "Software Studies", Matthew Fuller (ed), MIT Press 2007.
    2006 “From System to Software: Computer Programming and the death of Constructivist Art”. To be published in “White Heat, Cold Logic”, (ed.) by Charlie Gere et al, CACHe, Birkbeck College and MIT Press.
    2005 “The Death of the Death of the Portrait” MUTE, no. 29 (Review).
    2004 “Software Art After Programming” MUTE no.28.
    2003 “Waking Up from Cinema” Vertigo, Vol 2 no. 4.
    2000 “Programming with a Paintbrush: The Last Interactive Workstation” Filmwaves, no 12.
    2000 “Uncomfortable Choices” MUTE, no 18, (Review).
    2000 “Artists as Workers and Technology as Artists” Variant, no 11, (Review).
    2000 “Preserving Cultural Cinema while the World Moves On…” Filmwaves, no 10 (Review)
    2000 “The Matrix Rules” F I L M - P H I L O S O P H Y Internet Salon, Vol. 4, No. 3 (Review).
    1999 “Making the Right Connections” MUTE, no 15 (Review of Imaginaria, ICA).
    1998 "New Media, Old Technology" Variant, vol 2, no 6 and Readme! Filtered by Nettime, Ed. by Bosma et al, Autonomedia.
    1998 “Machine Therapeutics” Crash Media, no 3.
    1998 "Montage - Allegory - Transformation: A Study of Digital Imaging in Dialectical Film Making" Unpublished PhD thesis.
    1997 "Visual Technology and the Poetics of Knowledge" in Computers and Art, (ed.) by Stuart Mealing, Intellect.
    1996 "More Power: The Pioneers of British Computer Animation and their Legacy" in Diverse Practices: A Critical Reader on British Video Art (ed.) by Julia Knight, Arts Council of England and University of Luton.
    1996 "Art and Science in Chaos : Contesting Readings of Scientific Visualisation" in Futurenatural, (ed.) by Robertson, Mash et al. Routledge.
    1995 "Towards a Poetics of Knowledge" In Digital Salon, (ed.) by Tim Binkley and Antoinette LaFarge, catalogue published in Leonardo, Vol 28, No. 5.
    1995 "Technology is the Peoples Friend. Computers, Class and the New Cultural Politics" in Critical Issues in Electronic Media, (ed.) by Simon Penny, SUNY.
    1995 "Its Just Like Art : Notes on Computers, Class and Cultural Positioning" in Millenium Film Journal, 28.
    1994 "Tales of Pageant and Pantomime : A Technological Narrative for a Virtual Aristocracy" in Unnatural (ed.) Mathew Fuller, Underground.
    1993 "Soft Future" in 'VIdeo Positive '93' exhibition catalogue (Variant no 14), Liverpool. And in 'Machine Culture : The Virtual Frontier' (ed.) Simon Penny, in Visual Proceedings, ACM SIGGRAPH '93, U.S.A.
    1993 "SIGGRAPH : The Bigger Picture" Mediamatic Vol 7, no. 2 (Review).
    1991 "Superanimism" Art and Computer, SIGGRAPH '91 Art Show Catalogue, Las Vegas, U.S.A.
    1990 "Freedom and Interaction in New Media". For 'Interactions' exhibition catalogue. Rijks Museum, Enschede, Holland.
    1990 "Videognosis : Science as Voyeurism". Mediamatic Vol 5, no. 3.
    1990 "Computer Graphics as Allegorical Knowledge - Electronic Imagery in the Sciences" in 'Digital Image, Digital Cinema', SIGGRAPH '90 Art Show catalogue, Dallas,U.S.A
    1989 "Videographics and Allegorical Knowledge - The Epistemology of Leonardo" in Mediamatic Vol 3, no 4 (Review).
    1989 "The Image in Art and 'Computer Art'" Computer Art in Context, SIGGRAPH '89 Art Show Catalogue, Boston USA.
    1988 "Some Issues in the Development of Computer Art as a Mathematical Art Form" in Proceedings of First International Symposium on Electronic Art (ISEA), supplemental issue of Leonardo, Utrecht, Holland.